Performance, embodiment, and cultural memory
- 227 Pages
- 3.93 MB
- 3652 Downloads
Cambridge Scholars , Newcastle upon Tyne
Performing arts -- Social aspects, Collective memory, Body language, Human body -- Symbolic aspects, Group identity, Performing arts -- Anthropological aspects, Performing arts -- Semi
|Statement||edited by Colin Counsell and Roberta Mock.|
|Contributions||Counsell, Colin, 1956-, Mock, Roberta.|
|LC Classifications||PN1590.S6 P47 2009|
|The Physical Object|
|Pagination||vi, 227 p. :|
|LC Control Number||2009288661|
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The ten essays brought together in "Performance, Embodiment and Cultural Memory" address this subject from a unique diversity of perspectives, focusing on topics as varied as live art, puppetry, memorial practice, 'cultural performance' and by: 3. Performance, Embodiment and Cultural Memory, Edited by Colin Counsell and Roberta Mock This book first published Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle and cultural memory book Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library.
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Get this from a library. Performance, embodiment, and cultural memory. [Colin Counsell; Roberta Mock;] -- The subject of cultural memory, and of the body's role in its creation and dissemination, is central to current academic debate, particularly in relation to performance.
The ten essays brought. Some specific topics examined include Rachel Rosenthal's performances of diasporic cultural memory, puppets and embodiment, resisting the homogenization of cultural memory attached to material sites, and embodiment of memory in Akram Khan Company's Bahok.
Counsell teaches theater studies and performing arts at London Metropolitan University.
Details Performance, embodiment, and cultural memory PDF
(PDF) Performance, Embodiment & Cultural Memory | Roberta Mock - The subject of cultural memory, and of the body’s role in its creation and dissemination, is central to current academic debate, particularly in relation to performance.
Viewed from a variety of theoretical positions, the actions of the. The ten essays brought together in Performance, Embodiment and Cultural Memory address this subject from a unique diversity of perspectives, focusing on topics as varied as live art, puppetry, memorial practice, ‘cultural performance’ and dance.
In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas.
Description Performance, embodiment, and cultural memory FB2
From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge/5.
The new publication, The Sentient Archive: Bodies, Performance, and Memory gathers the work of artists and cultural practitioners in dance, architecture, science, and the visual arts with essays that cross boundaries within and between disciplines, and illustrate how the body serves as a repository for book is available on the Wesleyan.
In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting by: theatre histories, cultural histories, and historiography; performance of diasporic and exilic identities; theories of the body and embodiment; trauma, violence, and performance; theatre as testimony and witnessing; Faculty members who specialize in Embodiment and Cultural Memory: Patrick Alcedo; Guillaume Bernardi; Jennifer Fisher; Honor Ford.
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