Cover of: Palestrina and the German Romantic Imagination | James Garratt

Palestrina and the German Romantic Imagination

Interpreting Historicism in Nineteenth-Century Music (Musical Performance and Reception)
  • 332 Pages
  • 4.75 MB
  • 6882 Downloads
  • English
by
Cambridge University Press
Romantic music (c 1830 to c 1900), Music/Songbooks, History & Criticism - General, Music, Germany, Music / General, Music--19th century--History and criticism, Historicism, 19th century, Choral music, History and crit
The Physical Object
FormatHardcover
ID Numbers
Open LibraryOL7755067M
ISBN 100521807379
ISBN 139780521807371

Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism.

Palestrina and the German Romantic Imagination by James Garratt,available at Book Depository with free delivery worldwide/5(3). PALESTRINA AND THE GERMAN ROMANTIC IMAGINATION Focusing on the reception of Palestrina,this bold interdisciplinary study explains how and why the works of a sixteenth-century com-poser came to be viewed as a Palestrina and the German Romantic Imagination book for modern church music.

It explores the diverse ways in which later composers responded. Free Online Library: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music.(Book Review) by "Notes"; Library and information science Books Book.

This study explores historicism in nineteenth-century German music, focusing on the reception of Renaissance church music, in particular the works of Giovanni Pierluigi da Palestrina (c.

–94).It explains how and why the works of a sixteenth-century composer came to be viewed as the paradigm of church music, assessing and interpreting the relationship between the. Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music by James Garratt in DOC, EPUB, RTF download e-book.

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Giovanni Pierluigi da Palestrina (c. – 2 February ) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint, and his work is considered as.

Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music By James Garratt Cambridge University Press, Read preview Overview Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi By Paul Schleuse Indiana University Press, Get this from a library.

Palestrina and the German romantic imagination: interpreting historicism in nineteenth-century music. [James Garratt] -- "Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music.

Palestrina and the modern composer The Protestant Palestrina revival Old Italian music, Bildungand the German Singvereine Quasi-liturgical music: Spohr and Nicolai Mendelssohn and the Berlin Palestrina revival Winterfeld and the historical Palestrina Broader trends in performance and composition Palestrina and the primacy of vocal music The.

Get this from a library. Palestrina and the German romantic imagination: interpreting historicism in nineteenth-century music. [James Garratt] -- Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music.

Giovanni Pierluigi da Palestrina (/) Although he wrote a considerable number of secular madrigals, Giovanni Pierluigi da Palestrina was primarily a composer of sacred was extraordinarily prolific, writing at least masses, over.

Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Musical Performance and Reception) Reissue Edition by James Garratt (Author) › Visit Amazon's James Garratt Page. Find all the books, read about the author, and more.

Cited by: Giovanni Pierluigi da Palestrina explained. Giovanni Pierluigi da Palestrina ( – 2 February ) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.

He had a long-lasting influence on the development of church and secular music in Europe, especially on the development of.

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♥ Book Title: Palestrina and the German Romantic Imagination ♣ Name Author: James Garratt ∞ Launching: Info ISBN Link: ⊗ Detail ISBN code: ⊕ Number Pages: Total sheet ♮ News id: CUrnqwoUlasC Download File. Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music, by James Garratt.

Musical Performance and Reception. Cambridge: Cambridge University Press, xiv, pp. Interest in the music of Palestrina. Giovanni Pierluigi da Palestrina (3 February or 2 February – 2 February ) [1] was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.

[2] He had a lasting influence on the development of church music, and his work has often been seen as the culmination of. James Garratt and John Butt and Laurence Dreyfus Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Musical Performance and Reception) Cambridge University Press, ; ISBN ; pages James Garratt explores the revival of sixteenth-century music in nineteenth-century Germany.

James Garratt is Senior Lecturer in Music and University Organist at the University of Manchester. His publications include three books: Music and Politics: A Critical Introduction (Cambridge University Press, ) Music, Culture and Social Reform in the Age of Wagner (Cambridge University Press, ) Palestrina and the German Romantic Imagination: Interpreting.

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never n't medieval dynamics Are an 4/5. Giovanni Pierluigi da Palestrina. Giovanni Pierluigi da Palestrina (3 February or 2 February – 2 February )[1] was an Italian Renaissance composer of sacred music and the best known 16th century representative of the Roman Schoo a book of Masses, ^ a b c James Garrat, Palestrina and the German Romantic Imagination (New.

Description Palestrina and the German Romantic Imagination FB2

James Garratt. Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music. New York and Cambridge: Cambridge University Press, xiv + pp. $ (cloth), ISBN Reviewed by Pamela Potter (School of Music and Department of German, University of Wisconsin-Madison) Published on H-German.

German Romanticism was the dominant intellectual movement of German-speaking countries in the late 18th and early 19th centuries, influencing philosophy, aesthetics, literature and criticism.

Compared to English Romanticism, the German variety developed relatively early, and, in the opening years, coincided with Weimar Classicism (–). In contrast to the seriousness. On the reconstruction of early music in the Romantic period see James Garratt, Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge: Cambridge Univ.

Press, ). For the. On the other hand, to what extent does Hoffmann cordon off a separate world for church music, as James Garratt has recently proposed in his perceptive study (Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music [Cambridge: Cambridge University Press, ], ).

Giovanni Pierluigi da Palestrina (c. – 2 February ) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a lasting influence on the development of church music, and his work has often been seen as the culmination of Renaissance polyphony.

(shelved 7 times as german-romanticism) avg rating — 75, ratings — published Giovanni Pierluigi da Palestrina (3 February or 2 February – 2 February ) [1] was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.

[2] He has had a lasting influence on the development of church music, and his work has often been seen as the culmination of. Meloidia Chronicles is a blog series on historical choral expressions of text (Greek melos as a series of pitches and oidia as a poetic ode meant to be sung).

This article compares Renaissance composer Palestrina’s antiphonal Stabat Mater with Romantic composer Wagner’s arrangement, asking how well later generations interpret expressions chronicled in early music.

On the reconstruction of early music in the Romantic period see James Garratt, Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge: Cambridge Univ.

Press, ).Cited by: 1. Thibaut, a man of strong personality, was much more than a jurist: he has a place in the history of music. Palestrina and the early composers of church music were his delight; and in he published, anonymously, Über die Reinheit der Tonkunst (Purity of Music), in which he eulogized the old music, especially that of Palestrina.

He was an ardent collector of old compositions. James Garrat, Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music () Discusses Palestrina's influence on nineteenth-century church music and how his style affected composers of the Romantic era, including Mendelssohn.Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge University Press, ) He is currently completing a further book for CUP on Music, Aesthetics and Values.